This work investigates the concepts and relationships dealing with the interface and its effects. It probes the relationship between technologies of surveillance, and electronic display, and how they impact our spatial perceptions, and perceptions of ourselves, bound to a digital shadow. This piece uses a two way mirror, a computer, a camera, and a LCD monitor. It creates an instance of incoherency between the digital and physical space presented on either side of the white surface structure. The piece is embodying a tension between the heterotopias of the physical mirror and the digital interface. It is the hyperreality encoded within the physical and digital reflections of ourselves. It is the space around us and which it sits that creates this technogenic assemblage of meaning. It is an attempted remediation of the metaphysical tension between our physical and virtual self identities in the digital age.